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Up for consideration is a rare and authentic first-edition vintage Polish CYRK (Circus) poster created by acclaimed graphic artist Tadeusz Jodłowski in 1965. Known for their bold colors, surreal imagery, and unmatched artistic freedom, original Polish circus posters from this decade are celebrated worldwide as foundational masterpieces of post-war graphic design.
This dynamic composition features a vibrant red background offset by powerful, expressive black-and-white charging horses with striking multi-colored detailing. The iconic "CYRK" logotype is anchored in the lower corner with playful, distinct typography.
Type: Original Vintage Lithographic / Offset Poster
Subject: Circus Horses (Equestrian Act)
Country of Origin: Poland
Year of Publication: 1965
Dimensions: Approximately 38 3/4" x 26 1/4" (Standard Polish B1 size format)
Medium: Paper
Signature/Markings: Signed in the plate on the margin by artist T. Jodłowski
Condition Report:
Maintained in good vintage condition suitable for framing or professional linen backing. May display minor edge wear, handling creases, or small historical imperfections consistent with age and storage. Please review all provided photos for exact visual condition. Ships rolled in a heavy-duty mailing tube.
Maker Biography: Tadeusz Jodłowski (1925–2015)
Tadeusz Jodłowski was a towering figure in the legendary Polish School of Posters. Born in Piekary Śląskie, he studied at the Academy of Fine Arts in Kraków, later working closely alongside master designer Henryk Tomaszewski. Jodłowski served as the artistic director for WAG (Graphic Arts Publishers) and held prestigious academic roles, including professor at the Warsaw Academy of Fine Arts. Known for his mastery of contrast, bold structural composition, and playful integration of text and image, his works have been exhibited globally, earning him numerous international awards.
Historical Information & Interesting Facts
The "CYRK" Phenomenon: Beginning in 1962, the Polish state entertainment agency (ZPR) broke away from traditional commercial advertising. Instead of depicting literal or mundane acts, they commissioned elite fine artists to design metaphorical, witty, and painterly posters announcing the arrival of the circus.
Mid-1960s Golden Era: Posters from 1965 represent the early, highly coveted developmental years of the Cyrk series, where the movement gained international critical acclaim for its avant-garde edge.
Cultural Sanctuary: Because the state gave artists total creative freedom on Cyrk posters as a form of non-political cultural output, these pieces became a secret outlet for surrealism and brilliant graphic experimentation behind the Iron Curtain.
