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Georgian Horse Head Armorial Desk Seal c.1770–1800 Scottish Interest For Sale


Georgian Horse Head Armorial Desk Seal c.1770–1800 Scottish Interest
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Georgian Horse Head Armorial Desk Seal c.1770–1800 Scottish Interest:
$3202.56

 

Georgian Horse Head Armorial Desk Seal c.1770–1800 Scottish Interest

Click images to enlarge

Description

Georgian Horse Head Armorial Desk Seal c.1770–1800 Scottish Interest

An unusual late-Georgian copper-alloy, probably brass, armorial desk seal finely modelled as a bridled horse\'s head, with an engraved intaglio matrix and a traditional association with the Abercromby family of Tullibody, Scotland.

Highlights

  • Late-Georgian equestrian armorial desk seal

  • Late 18th century, circa 1770–1800, provisional

  • Copper alloy, probably brass

  • Finely modelled bridled horse\'s head

  • Circular engraved intaglio matrix

  • Two shield-shaped heraldic cartouches

  • British, possibly Scottish

  • Traditionally associated by repute with the Abercromby family of Tullibody

  • Historic association with Lieutenant-General Sir Ralph Abercromby KB (1734–1801), presently unverified

  • Private Scottish estate provenance by repute

  • Approximately 7 cm high × 5.5 cm long × 2.6 cm wide

  • Approximately 180 grams

Introduction

A fascinating late-Georgian armorial desk seal dating to the late 18th century, circa 1770–1800, finely modelled as the head and neck of a bridled horse.

Both a practical writing accessory and a miniature equestrian sculpture, the seal reflects the Georgian tradition of using engraved personal and heraldic devices to authenticate correspondence and documents.

The horse is represented with considerable character. Its ears are raised, the mouth open and the eyes and nostrils carefully articulated. The bridle, cheek straps and bit are individually modelled, while the mane is defined through rhythmic incised detailing.

The horse\'s neck rises from a circular collar above a substantial waisted and stepped base, beneath which is the engraved armorial matrix.

Catalogue Details

Object: Armorial desk seal

Subject: Bridled horse\'s head

Date: Late 18th century, circa 1770–1800, provisional

Origin: British, possibly Scottish

Material: Copper alloy, probably brass

Matrix: Circular engraved armorial intaglio

Height: Approximately 7 cm

Length: Approximately 5.5 cm

Width: Approximately 2.6 cm

Weight: Approximately 180 grams

Attribution: Unidentified armorial owner; traditionally associated with the Abercromby family of Tullibody, Scotland

The Horse-Head Handle

The handle is conceived as a miniature equestrian sculpture rather than merely a functional grip.

The alert ears, pronounced brow, articulated eye, open mouth and detailed tack give the horse considerable animation.

The bridle crosses the face and muzzle, with the bit and cheek pieces clearly represented. Incised passages describe the mane along the neck.

Areas of high-point rubbing contrast attractively with darker material retained within the recesses, emphasising the modelling and giving the object the character expected of an extensively handled Georgian antique.

The Armorial Intaglio

The circular underside contains a genuine engraved intaglio matrix.

An intaglio seal is cut below the surface so that, when pressed into sealing material, the resulting impression displays the design in relief. The engraved matrix is consequently laterally reversed in relation to the impression it was intended to produce.

The matrix contains two separate shield-shaped cartouches positioned alongside one another beneath elaborate foliate and heraldic ornament.

Above the shields is a complex upper achievement which may incorporate crest or other heraldic elements, although historic wear and deposits prevent a secure reading of its individual components.

No owner\'s initials, motto or date can presently be identified with confidence.

Traditional Abercromby Family Association

The seal has traditionally been associated by repute with the Abercromby family of Tullibody, Scotland, and more specifically with Lieutenant-General Sir Ralph Abercromby KB (1734–1801).

There is genuine historical context behind this tradition.

Sir Ralph was the son and heir of George Abercromby of Tullibody and Mary Dundas. In 1767 he married Mary Anne Menzies, second daughter and co-heiress of John Menzies of Ferntower, Crieff.

The presence of two shield-like cartouches makes the possibility of a marital or family heraldic context worthy of investigation.

Detailed heraldic research has, however, not presently produced a positive identification.

The recorded Abercromby of Tullibody arms incorporate an indented chevron between three erased boars\' heads, together with a crescent in chief. Those diagnostic elements cannot presently be read securely within either of the worn shields on this matrix.

Likewise, the principal Menzies armorial tradition prominently incorporates a chief, which cannot presently be identified conclusively here.

The Abercromby connection is therefore retained as an important traditional attribution, but the seal is not catalogued as Sir Ralph Abercromby\'s personal seal.

Lieutenant-General Sir Ralph Abercromby KB

Sir Ralph Abercromby was a distinguished British Army officer and one of the notable military commanders of the later eighteenth century.

Born in 1734 into the Abercromby family of Tullibody, he studied in Scotland and on the Continent before choosing a military career.

He entered cavalry service in 1756 and served during the Seven Years\' War before rising through the ranks during a long military career.

His later commands encompassed campaigns in the Netherlands, Caribbean, Ireland and Mediterranean.

During his final campaign in Egypt, Abercromby commanded British forces at the Battle of Alexandria on 21 March 1801. He was wounded during the action and died on 28 March.

His cavalry background makes the traditional association with a horse-head seal particularly evocative, although the equestrian form itself cannot be treated as evidence of ownership.

Dating

No maker\'s mark, hallmark, dated inscription or securely identified armorial owner presently fixes the object to a particular year.

Its form and construction are compatible with the later Georgian period.

A commercial catalogue date of late 18th century, circa 1770–1800, is therefore considered appropriate, pending specialist heraldic or material examination.

Material

The yellow-gold appearance and areas of darker oxidation are visually consistent with an historic copper alloy.

Without metallurgical analysis it is not possible to distinguish conclusively between brass and bronze from appearance alone.

The object is therefore conservatively catalogued as copper alloy, probably brass.

Provenance

By repute from a private Scottish estate.

Subsequently with a Scottish antiques dealer.

Thereafter in the collection/inventory of Cheshire Antiques Consultant LTD®.

Traditionally associated with the Abercromby family of Tullibody, Scotland, and historically with Lieutenant-General Sir Ralph Abercromby KB (1734–1801).

No documentary chain of ownership connecting the seal specifically to Sir Ralph has presently been located.

Dimensions

Height: approximately 7 cm

Length: approximately 5.5 cm

Width: approximately 2.6 cm

Weight: approximately 180 grams

Condition Report

Offered in good antique condition consistent with considerable age and historic use.

The copper-alloy surface displays an attractive aged patina with rubbing, small marks, scratches and areas of darker oxidation.

There is expected wear to the high points of the horse\'s modelling and around the edge of the matrix.

The engraved intaglio retains old dark deposits together with reddish and greenish traces within and around some of the recesses. These may comprise historic sealing material, corrosion products or accumulated deposits and have therefore not been definitively identified as sealing wax.

Please study all photographs carefully as they form an integral part of the condition report.

Owing to the compact dimensions and substantial solid construction of the desk seal, it will be professionally packaged using appropriate protective materials and dispatched fully insured.

International buyers are welcome.

Certificate of Sale & Dealer Attribution

The artwork will be supplied with a Certificate of Sale & Dealer Attribution issued by Cheshire Antiques Consultant LTD®, recording the artwork’s catalogue details, attribution, provenance as stated, and details of the sale. This document accompanies the work as part of its ongoing ownership and provenance record.

Attribution and Research

The historical observations, provenance research, attribution analysis and contextual commentary presented within this catalogue entry represent the professional opinion of Cheshire Antiques Consultant LTD®. They are offered in good faith as informed scholarly assessments based upon the available evidence, comparative research, published reference material and our experience within the international fine art market.

These observations should be understood as professional opinions rather than definitive statements of fact or guarantees of authorship, attribution, date, origin, provenance or historical interpretation. As with all historic works of art, future documentary discoveries, technical examination, conservation analysis or advances in academic research may refine, expand or revise current interpretations.

Cheshire Antiques Consultant LTD®

Specialising in carefully curated British and European fine art, antiques and historic works of art.

Every artwork is professionally researched and catalogued using comparative scholarship, published reference material and more than two decades of experience within the international fine art market. We are committed to offering collectors works of artistic and historical merit accompanied by transparent provenance research, detailed catalogue descriptions and professional, client-focused service.

Additional photographs and further information are available upon request.

 PaymentPurchasing Information

We accept the following payment methods:

• All major credit and debit cards through \'s secure checkout.
• Bank transfer (where available and agreed in advance).

All payments must be received in full before items are dispatched or released, unless otherwise agreed in writing.

Delivery

If your destination is not listed, please contact us via Messages for a personalised delivery quotation.

Every artwork and antique is professionally wrapped and carefully packed using appropriate protective materials to help ensure it arrives safely. Tracking details are provided wherever available.

Free standard delivery is included for mainland UK addresses unless otherwise stated within the listing.

International buyers are responsible for any customs duties, import VAT, local taxes, brokerage fees, demurrage charges or other import-related costs levied by the destination country.

Please contact us before completing your order for a combined delivery quotation.

Terms of Sale

Returns Policy

We offer a 60-day returns policy, giving buyers confidence when purchasing from Cheshire Antiques Consultant LTD.

Every artwork and antique is professionally researched and catalogued, with provenance, attribution and historical information provided wherever available. If you have any questions before or after your purchase, please contact us via Messages and we will be pleased to assist.

Please note:

Return postage costs are the responsibility of the buyer unless otherwise required under applicable consumer law or the Money Back Guarantee.

Any customs duties, import VAT, taxes, brokerage fees or other import-related charges incurred when returning an item are the responsibility of the buyer.

Returned items must be received in the same condition in which they were supplied, including all accompanying documentation where applicable, before a refund can be processed.

Deposit payments made to reserve an item are non-refundable unless otherwise agreed in writing.

Nothing in this policy affects your statutory rights as a consumer.

Cheshire Antiques Consultant LTD conducts all selling activities in accordance with applicable UK consumer legislation and \'s Seller Standards and Marketplace Policies.

For any after-sales enquiries, please contact us via Messages. We are always happy to assist with questions relating to your purchase.

About Us

Cheshire Antiques Consultant LTD is a UK registered company, incorporated in April 2024, specialising in British and European fine art, antique paintings, sculpture and historically significant works of art dating from the seventeenth century through to the contemporary period.

This hands-on approach ensures every work is researched, presented and delivered to the highest professional standard.

We combine careful historical research, professional catalogue preparation and exceptional customer service to present every work with accuracy, transparency and scholarly context.

We are proud elected members of the Fine Art Trade Guild and are committed to maintaining the highest standards of professionalism, integrity and customer service.

Our clients include private collectors, interior designers, museums, galleries, institutions, sale houses and commercial organisations throughout the UK and internationally.

Whether you are purchasing your first original work of art or adding to an established collection, our aim is to provide a knowledgeable, transparent and enjoyable buying experience.

Contact UsWe\'re Here to Help
We are always pleased to assist with:

Please contact us via Messages. We aim to respond promptly to all enquiries and are always happy to answer questions before or after your Page Views With
Auctiva\'s CounterThe historical observations, provenance research, attribution analysis and contextual commentary presented within this catalogue entry represent the professional opinion of Cheshire Antiques Consultant LTD®. They are offered in good faith as informed scholarly assessments based upon the available evidence, comparative research, published reference material and our experience within the international fine art market. These observations should be understood as professional opinions rather than definitive statements of fact or guarantees of authorship, attribution, date, origin, provenance or historical interpretation. As with all historic works of art, future documentary discoveries, technical examination, conservation analysis or advances in academic research may refine, expand or revise cu

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