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Here is some history on the Mckusicks:From 1952-54, while living in Tucson, Bob and Charmion started a business called Gila Pottery where they made various ceramic products such as ashtrays and tiles. The McKusicks sold their work at the Desert House of Crafts on N. Campbell Avenue. They became friends with Ted DeGrazia and helped him build his studio in north Tucson. In fact, they lived at the DeGrazia studio for over a year. “DeGrazia was a partner in crime,” Charmion said with a smile.In 1954, Bob and Charm moved to Globe and started the McKusick Mosaic and Tile Company. Not only did they make small tiles with animal designs, but with the help of Native American artists, made tile designs of Indian dancers and symbols. They also made 12” floor tiles. As Desert Magazine wrote in its April 1967 edition, “Many homes in the exclusive Paradise Valley area are paved with McKusick floor tile.” And it is here where I want to point out a most salient aspect of what the McKusicks were doing. The ceramic products they produced were made entirely from the raw clay that they dug out of the Pinal Mountain foothills. The grog they used as an additiveto make the clay less prone to warpage in the kiln firing, was made from the milled schist found around their home. In other words, these artists manufactured all of their ceramics from scratch. This is an amazingly rare and laborious way to make ceramics and was done solely for economic reasons. he McKusick studio attracted plenty of visitors. Even “futuristic” architect Paolo Soleri showed up in the mid-50s inquiring about the clay. Since that visit, the ceramic bell production of both Cosanti and Arcosanti still depends exclusively on the same clay deposits that the McKusicks used. But it is the wildlife tiles that I think are the lasting legacy of the McKusicks’ creative output. Over a forty year period (1954-1996) Bob and Charmion (and later with help from their daughter Kathy) produced around 300 different designs replicated on tens of thousands of individual tiles. (“Eighty thousand?” I asked Charmion. “That would be a conservative number,” she responded.) Wrens, swallows, frogs, deer, orioles, crayfish, dragonflies, black bears, and dozens upon dozens of other animals found clear illustration on these durable handmade tiles. Visitors to Arizona purchased these pieces as reminders of the desert that they had vacationed in. It was a little bit of the wilderness that they could feel comfortable bringing home with them. But now the tiles are no longer made. They haven’t been made for almost twenty years and there aren’t many places besides Boyce Thompson Arboretum where you can still see them. If you go to the Sabino Canyon Visitor’s Center in Tucson, the tiles are featured in nature displays there. If you are driving through Miami, Arizona, you can stop by the Bullion Plaza Cultural Center to see the largest display of work from the McKusick Studio, containing around a hundred tiles.
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